Sunday, April 24, 2011

Photo satori

Speechless

Peter Sarkisian: Dusted

A 3-dimensional cube nearly a meter squared stands alone in the darkened gallery.  Smudge marks appear on the blackened surface of the cube, indicating the presence
of two people, a man and woman, naked and slowly moving around inside.  As their bodies rub against
the soot covered interior walls of the cube, the dark powder transfers to their skin, so that while the cube
itself is slowly wiped clean, the moving bodies inside become veiled and harder to see.
The implied activity inside the cube invites comparison to the story of genesis, birth, and to questions of
physical and existential freedom. Simultaneously, the gestural material-play dominating the projected
planes of the cube opens a discourse on the role of surface in Sarkisian’s art form.  The projected video
relates to the illusion of pictorial space in a painting: just as with a painting, the viewer perceives depth
with the knowledge that the depth is merely an illusion.  As the figures wipe the carbon-like soot from the surface of the cube, abstract color fields of black, yellow and orange slowly transform through an
expressionistic manipulation of pigment.  Yet rather than moving from abstraction to clarity, the figures
obscure themselves, and the walls of the cube continue to ebb between worlds of materiality, impliedspace, and figure-ground relationships


Saturday, April 16, 2011

The Great Amaxosa Delusion

THE GREAT AMAXOSA DELUSION

On 23 December 1847, the British Governor of Cape Colony, Sir Harry Smith, summoned together the chiefs of the Amaxosa tribes on the Eastern Frontier. He told them that their territory - the most fertile in South Africa - was to be annexed and made a crown dependency : British Kaffraria. After a while it became clear that the Gaika tribe and their chief Sandila were determined to offer the most stubborn resistance. Sir Harry Smith re-summoned the chiefs. Sandila refused to come. Whereupon Sir Harry deposed him of his chiefship, and in his place, as chief of the Gaikas, appointed an English magistrate called Mr Brownlee. Convinced that they had now dealt with the matter masterfully, the two Englishmen ordered the arrest of Sandila. On 24 December 1850 the force sent out to arrest him was ambushed and the Gaika tribe rose in revolt. White settlers in the military villages along the frontier were attacked and killed whilst celebrating Christmas. Thus began the Fourth Kaffir War : the penultimate stage in the Amaxosas' long defence of their independence, which had continued for sixty years.

By 1853 the British, with their prodigious military advantages (the war cost the Colonial Office nearly a million pounds), were able to impose a military defeat on the tribes. In 1856 there followed what the British were later to call 'The Great Amaxosa Delusion'. This 'delusion' constituted the ultimate stage of the A,axosa nation's defence of its independence.

A girl named Nongkwase told her father that when going to draw water from a stream she had met strangers of commanding aspect. The father went to see them. They told him that they were spirits of the dead who had come to help their people drive the white men into the sea. The father reported to Sarili, an Amaxosa chief, who announced that the people must do what the spirits instructed. The spirits instructed the people to kill all their cattle and to destroy every grain of corn they possessed. Their cattle had become thin and their crops poor as a result of the land already stolen from their by the white man. When every head of cattle was killed and every seed of corn destroyed, myriads of fat beautiful cattle would issue from the earth, great fields of heavy ripe corn would instantly appear, trouble and sickness would vanish, everybody would be young and beautiful, and the white man, on that day, would perish utterly.

The people obeyed. Cattle were central to their culture. In the villages heads of cattle were the measuring units of wealth. When a daughter was married, her father, if rich enough, gave her a cow, an ubulungu - 'a doer of good': this cow must never be killed and a hair from its must always be tied round the neck of each of the daughter's children at birth. Nevertheless the people obeyed. They slaughtered their cattle and their sacred cows and they burnt their grain.

They built large new kraals for the new fat cattle that would come. They prepared skin sacks to hold the milk that was soon to be more plentiful than water. They held themselves in patience and waited their vengeance.

The appointed day of the prophecy arrived. The sun rose and sank with the hopes of hundreds of thousands. By nightfall nothing had changed.

An estimated fifty thousand died of starvation. Many thousands more left their land to search for work in Cape Colony. Those who remained did so as a propertyless labour force. (A little later many were to work as wage slaves in the diamond and gold mines further north.) On the rich, now depopulated, land of the Amaxosa, European farmers settled and prospered.

From John Berger, G. 1972

Thursday, April 7, 2011

A Writer's Prayer


I thought this posting appropriate since I will be pursuing a masters degree at Harvard Divinity School in the fall. I returned home last night from a week long visit to the open house for admitted students, during which I was haunted be an insidious realization: I want nothing more than to write very good stories. This means not writing essays, not reading 1300 pages of scholarship per week. However, the program is extremely flexible, I will design my own focus, a number of the professors are novelists, and the diversity and dynamism of the students is inspiring. Two of the New Yorker's 20 under 40 fiction writers are recent graduates. And they're paying my tuition, and its fuckin Harvard. We'll see how it goes...

A Writer's Prayer by Wallace Stegner
“Lord, let me grow into such a man as has something to say! Let me be one of those that Henry James speaks of, one of those ‘upon whom nothing is lost.’ Let understanding and wisdom be engraved on my mind as deep as the lines of living on a wise and weathered face. Teach me to love and teach me to be humble and let me learn to respect human differences, human privacy, human dignity, human pain. And then let me find the words to say it so it can’t be overlooked and can’t be forgotten.”